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Garma 2004, Day 4

[Day 1] [Day 2]  [Day 3]  [Day 4]  [Day 5] 
day4

day4
Photo Stephen Cherry  

day4
Photo Stephen Cherry

 

day4
Photo Stephen Cherry

day4
Photo Stephen Cherry


day4
Photo Stephen Cherry

day4
Photo Stephen Cherry

 

day4
Photo Stephen Cherry

day4
Photo Stephen Cherry


National Indigenous Recording Project Launch

The National Indigenous Recording Project was launched today beyond the stringy barks and red bauxite rocks where Mandawuy Yunupingu’s dream began.

Actor Jack Thompson resonated his Garma feeling to those gathered in the open shelter at Gulkula this afternoon. ‘Having this (Garma) move me this way, a lot of it is the magic of the (Yolngu) culture and it is your duty to take this back and let people know that we live here [Australia] as guests of the people who were here before,’ he urged the crowd. ‘At the heart lies a non-spoken language and that is music, it is the commonality.... This universal language is a very important part of our understanding of each other.’

Mandawuy Yunupingu then launched the Project which aims to preserve the music at the core of his culture. This project aims to record and document traditional Indigenous music and ceremony across Australia, while ensuring appropriate cultural access for the people it’s recorded for. Mandawuy addressed the crowd, saying that with every elder that passed, something was lost, and that he hoped to use the Project ‘to make sure the traditions are passed on forever.’

 

 

day4
Photo Stephen Cherry

The University of Sydney and the University of Melbourne have collaborated with the Yothu Yindi Foundation to make the Project possible. Alan Marret from Sydney Uni said that the main aims of the project were to maintain law and culture and to breathe a sense of well being into the community. It could also be seen as an invaluable part of Australia’s heritage that had previously been undervalued. It now moves into the first stage of recording with Yolngu people helping record the most important and endangered musical traditions in Arnhem Land.

Mandaway added that the project is still looking for corporate and philanthropic partners to assist with its development and implementation.


 

day4
Photo Trevor van Weeren

day4
Photo Stephen Cherry

 

Club Garma & The Volunteers

This year, 80 volunteers from around the world have made the trek to Gulkula to assist with the running of Garma.

Around twenty of them are working shifts in Club Garma. One of two dining facilities on site, it’s the kitchen for Yolngu visitors and volunteers. With a full time crew of six and seven volunteers per session, Club Garma – “Where the stew’s are hot and the cordial’s cold” - is turning out over 4,000 meals a day.

For the evening meal last night they turned a tonne of stew and rice into 1,300 meals and also produced 100 vegetarian dinners.

The character who runs Club Garma is the irrepressible Phil O’Brien, a renowned bushman, camp cook, storyteller, author and humourist who’s been involved with Garma since its inception in 1999.
Of the volunteers, Phil says “They’ve been fantastic, they’ve given 110%. Everyone’s bonded so well, you couldn’t ask them for more.”

Slipping away from the hot plates, Phil became expansive. “It was hard at the coal face, at times we nearly broke ranks and now I know what they felt like at the Alamo. We couldn’t have done it without the volunteers. They were vibrant and charming and very energetic and the blokes did okay as well.”

One of Phil’s crew, Linda Pearce, has been working in the Garma kitchens for the past six years. Another two of his assistants, Margie and Ella, have been doing it for three years.

As for the volunteers, they’ve been having a ball. After a four hour shift in the bush kitchen, they’re free to explore the myriad of activities presented by Garma.


School Visitors

Students from the Shearwater Steiner School near Byron Bay in New South Wales are visiting Garma are part of a month long excursion that’s seen them explore Carnarvon Gorge in Queensland and the NT’s Katherine Gorge.

When asked what she made of Garma, one of the students, Rani, said “I love it here. I want to come back next year. Everyone’s so friendly and there’s so much to experience, it’s been the best part of the trip for me.”

Her friend Jade reckons the best things are “learning about Yolngu culture and eating bush tucker. It’s fun.”

Next year, with the advent of Youth Garma, many more students will have the opportunity to share the experience of living side by side with Yolngu on Yolngu land.

 

 

day4
Photo Trevor van Weeren


Wukudi Ceremony

In the closing session of the key Garma Forum this afternoon, Yothu Yindi Foundation chair Galarrwuy Yunupingu made pointed reference to the meaning of the Wukudi ceremony staged by Dhudi-Djapu clansmen in Darwin’s Supreme Court to bring closure to the mystery surrounding the disappearance of Dhudi-Djapu leader Dhakiyarr from Fannie Bay Gaol in the 1930s.

Dhakiyarr had been arrested and charged with murder after spearing police constable Albert McColl on Woodah Island off east Arnhem Land. After a brief trial in Darwin in which no defence was presented (and no interpreter provided) Dhakiyarr was found guilty and sentenced to death. An appeal to the High Court saw the verdict overturned, Dhakiyarr pardoned and his release from gaol ordered. The day he was released, he disappeared, sparking persistent rumours that he’d been killed by police.

Galarrwuy introduced two of Dhakiyarr’s descendents, Dhukal Wirrpanda and Djambawa Marawili, the men responsible for the Wukudi project.

Dhukal Wirrpanda told of an unrelenting search for the remains of the tribal leader who disappeared 70 years ago.

 

A documentary he was involved in with director Tom Murray, Dhakiyarr v’s the King, screened at Garma last night and told the story of Dhakiyarr’s plight and the Wukudi ceremony that finally brought closure to his people.

Djambuwa Marawili told the crowd, ‘We wanted to grab his bones and bring it back to his home country. We knew what had happened... We’re living in a new world but wanted to have that ceremony... Those patterns and these signs. We used to put them on our chest and then on a flag, and then a pole representing where those bones couldn’t go.’

Last year hundreds of Yolngu travelled to Darwin for the Wukudi ceremony in which peace was made with McColl’s descendents in front of representatives of the High Court and Northern Territory judiciary. Symbolically, a spear was broken and gifts exchanged.


‘We waited for reconciliation,’ Dhukal Wirrpanda said. ‘The spear that was broken with dilly bag in his mouth, that’s how strong Yolngu is, with our culture to look after this land Australia... the sea and the land, this belongs to Yolngu, all you have to do is come with the education, let’s carry it hand in hand.’


Music Pumps at Garma

During the Garma Festival, contemporary music workshops are being conducted with young school bands from across Arnhem Land at the Yirrkala Community Education Centre. Musicians from Yothu Yindi and the John Butler Trio are assisting with the workshops, honing the skills of percussionists, brass players, guitarists, singers and songwriters.

Meanwhile, out at the Yothu Yindi Foundation’s Yirrnga Music Development Centre at Gunyangara, producer Matt Cunliffe and his colleagues have been recording demos for bands from Arnhem Land and beyond in the Ian Potter Foundation Studio.

Blackstone from Elcho Island walked out of the studio on Friday with four songs on CD. On Saturday the 17-piece Angurugu school band from Groote Eylandt (average age 13) recorded 5 songs. Yesterday the world renowned Bengal Bauls put down two tracks and today it was the turn for Sheppy’s Crew from Elcho Island, young kids who’ve formed all boy and all female bands.

Of the latter, Matt Cunliffe says “It the first time in this region that I’ve come across a female drummer and a female doing lead guitar breaks. It’s a really interesting development.”

Each night at Gulkula, three of the bands who’ve been engaged in the workshops or the studio have staged a concert at Gulkula. Last night’s show featured the Bengal Bauls, the Numbulwar School Band (which, at one stage, had twelve singers up front), and the Angurugu School Band augmented by three older women dancers performing in a traditional shuffling style.

Each night the sense of Yolngu pride in the youngsters’ musical talents has been palpable as hundreds of people have jumped up to dance in a sea of black and white.

In a treat for Yolngu and visitors alike, Yothu Yindi are among the bands performing at tonight’s grand finale.

 

 

day4
Photo Andrea Keningston

day4
Photo Andrea Keningston

day4
Photo Trevor van Weeren

 

day4
Photo Stephen Cherry
     

Open Day

Armed with folding chairs, hundreds of residents from the nearby mining town of Nhulunbuy took advantage of the annual Garma open day and flocked into the site this afternoon in cars and buses.

As the sun set through the stringybarks, the visitors were treated to a superb display of bunggul involving hundreds of dancers and songmen from Numbulwar, Gangan, Ramingining, Milingimbi and beyond.
The bunggul culminated in a ceremonial exchange of spiritually significant hand-crafted gifts by visiting clans, a dramatic scene of conciliation, the conclusion of which was greeted with celebratory cheers from the thousand or so Yolngu at Garma.

The crowd then moved from the bunggul ground back toward the main stage where, in a surprise appearance, visiting dancers from NAISDA opened the night’s entertainment with a series of polished performances on the sand.

A 13-piece Yothu Yindi, augmented by four dancers and two brass players, then hit the stage for a relaxed set that kicked off with Gapu and Gapu Contemporary and slipped into One Blood, Yolngu Boy and Garrathia Run. Galarrwuy Yunupingu then stepped up with a farewell speech paying tribute to the sense of unity and mutual understanding that has developed over the past few days.

With the speeches behind them, Yothu Yindi hit their straps and rocked through My Kind Of Life, Djapana, Tribal Voice and a rousing rendition of Treaty.

The rest of the night was given over to younger bands Blackstone and Sheppy’s Crew from Elcho Island, the Girls’ and Boys’ bands from Yirrkala, and primary school rock bands from Milingimbi, Gapuwiyak and Numbulwar.


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