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Garma 2004

[Day 1] [Day 2]  [Day 3]  [Day 4]  [Day 5]  
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2004 GARMA PANEL Tuesday

Over forty wood block carvings have been completed for printing and proofing in the 2005 Garma Panel project.

Of this year’s exercise, co-ordinator Basil Hall said “We didn’t go in with the idea of repeating last year’s process, but wanted to create a large work made up of individual carved wood blocks, the bonus being that we can produce proofs for approval on site and also we can later exhibit the blocks themselves.”

Among the artists who have contributed to the collaborative art project are West Australians Richard Walley, Michelle Broun and Spider Snell from Fitzroy Crossing, Richard Gandhuwuy and George Rurrumbu from Elcho Island, Tiwi artist BJ Timaepatua and locals Binmila Yunupingu, Djalu Gurruwiwi and Djambuwu Marawili.

International demand for the limited edition of 20 prints from the 2003 Garma Panel has been strong with the full panel fetching AU$14,300 and individual panel prints (unframed) selling for AU$220. 

 

 

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Women’s Program Wrap-up

The women’s program at the 6th annual Garma Festival has been a great success. All who’ve had the pleasure to participate in the activities this year are full of praise for the Yolngu facilitators and staff who are proud and happily exhausted. Comments and feedback from the participants boast a greater understanding of Yolngu culture especially the complexities of the traditional roles of women here in north-east Arnhem Land.

Over 50 Yolngu miyalk (women) contributed to the Gong-wapitja program and there have been many beautiful exchanges of knowledge, skills and stories.

After five busy days of demonstrations, storytelling, walking, workshops and chatter the women have already been discussing how to fine tune and improve the program for next year. At the biggest Garma Festival yet the contributions from all the women involved and the wonderful reception has left a feeling of satisfaction and wonder for all to enjoy.  Tashi

From some participants in women's workshops

‘I enjoyed sitting in such a relaxed environment while learning new and exciting skills from these women so full of wisdom. It reminded me of grandmothers.” Paris, Shearwater Steiner School

“I spent most of my time at the women’s shelter. I helped prepare the pandanus and started a basket. There was always something interesting happening; and these amazing women woiuld patiently share with us onlookers. It was a privilege to be here.”
Nikity Vanderbyl, Shearwater Steiner School

“Very well organised with wonderful walks and activities. The ladies are very generous and kid to teach us.” World Expeditions visitor

“Wonderful! Walks for bush food with Yolngu women sharing knowledge were such a great highlight.” World Expeditions visitor

“Í loved the bush medicine walk – you must keep on the program. Best of all was the interaction with the women.” Forum participant

“The generosity of everyone has been unlimited.” World Expeditions visitor

“I thought it was a lot of fun. I thought they were very happy about teaching other people. I made a basket last year and this year and they were sooo nice about it and made sure I was happy with it and if I needed any help they would give it to me.”
Nina David, 11 years old.

“Had a fabulous time making arm bands and going to find bush honey. I was also lucky enough to hear a woman talk about ritual medicine. Althoiugh I came to attend the leadership seminars I think the time I spent in the women’s area gave me more of an insight into the lives of indigenous people here. It was fabulously well run and the women seemed to be very generous with their time and energy. Money permitting, I’ll be back next year.”  Anne Phillips

“It’s a perfect environment to be able to sit and observe the women working. The fields trips with World Expeditions and the women were excellent.”  World Expeditions visitor


Yolngu employment at Garma

Among the aims of the Yothu Yindi Foundation is the creation of economic opportunities for Yolngu.

While this year’s Garma employed around 100 Yolngu directly, the flow-on benefits to the communities of east Arnhem Land will be on-going through the enhanced demand for artworks, artifacts and knowledge.

Prior to the festival, Yolngu set-up crews were drawn from the local Community Development Employment Program and given on-site training. During the festival, other Yolngu have been engaged in training programs that will go toward producing accredited tour guides and professionally trained security personnel.

Over the five days of Garma, Yolngu were employed as forum co-ordinators and facilitators, five were employed in the reception centre and eight were taken on as security staff and given on-site training by a representative from Australian-based security strategy company Intelligent Risks.

Eight rangers from Laynhapuy Homelands were employed as tour guides and spear making teachers as part of their training for a Certificate 1 in Tourism through Charles Darwin University. A further five rangers from Dhimurru Land Management were hired to plan programs, act as tour guides and to source bush materials for various activities. Yolngu musicians such as former Warumpi Band singer George Rurrambu and members of Yothu Yindi were also engaged to conduct contemporary music workshops at Yirrkala.
On site, the Yidaki Master Class employed four men directly with on-going economic benefits to a further fifteen artists and artisans from Gunyangara.

In the days leading up to Garma and throughout the festival, forty-five Yolngu women were employed to conduct women’s workshops in body painting, string making, pandanus weaving, guku (sugar bag honey) hunting, healing and bush medicine discussions and traditional dance classes for Ngapaki women, around a hundred of whom got involved over the last two days.

A further seventeen Yolngu women were employed to conduct bush tucker workshops involving the collection of bush foods and traditional cooking demonstrations.

As more economic opportunities are created through Garma, the benefits to Yolngu through the sale of bark paintings, prints, yidakis and artifacts are incalculable and go far beyond mere money.

On Monday night, for example, the Gupapuyngu dancers from Milingimbi and Ramingining were awarded a $5,000 prize for the best performance of bunggul during the festival. They plan to use that money to stage a big ‘hollow log bunggul’ at Ramingining, so that all the members of their communities can get a sense of the spirit of Garma.

 

 

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BUSH HEALING STORY

“I just happened to come across some women who were going out into the country for a healing of a woman. I didn’t help in the morning with the collecting of the bush medicine but with the preparation of the healing.

“We drove out into the country and stopped off the road far enough away so no-one could see us as it is women’s business. Gulumbu (the healing / medicine lady) dug a shallow space for the women to lie down in at a later stage. We then lit a fire in the pit and put cycad nuts on top. After the fire went out and the coals of the cycad nuts remained, we got a lot of long reeds that had been soaking in a bucket of water and placed them along the pit. On top of this we then placed medicine leaves and poured water over the leaves. Steam started to rise and we then put on some soft paperbark and made small holes for the steam to escape. The woman then laid down on her back and the steam soaked into her skin.

 

“Gulumbu then started to apply the medicine leaves to the woman’s skin with the pressure of her palm. The leaves contain an oil that when applied to the skin stimulates circulation. This applying of pressure with the leaves continued until the skin started to loosen. After the treatment, the woman washed in fresh water and we sat down with some fresh damper and tea to relax after our hard healing work. The next day the woman was able to walk with less pain than before her treatment.

“I found this healing experience truly amazing and unique. Obviously many other factors are involved in this process such as speaking to the ancestors. I would love to continue learning and hope to come back next year and beyond.”

Jacqueline Bogusz

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