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[YIDAKI] [YIDAKI STATEMENT] [PLAYING] [MAKING] [MASTERCLASS] [LINKS]
Yidaki Masterclass
“Cherish the sound, for it is the sound of Mother Earth.” Mandawuy
Yunupingu, Yothu Yindi

NOTE
At its 2007 annual general meeting, the board of the Yothu Yindi Foundation decided that the Garma Festival's Yidaki Masterclass would be cancelled for five years following the death of the Masterclass co-convener.
This decision was taken after a request from the immediate family and as a matter of respect in accordance with Yolngu cultural tradition. The next Yidaki Masterclass will be at the Garma Festival of 2013.
Djalu Gurruwiwi will continue to teach yidaki but not at the Festival. Any Yidaki Masterclass enquiries will be forwarded to his management.
Yothu Yindi Foundation, October 2007
To
attend the Garma Festival Yidaki Masterclass (registration open for men only) read our introduction to then complete the online expression of interest form.
The Yidaki Masterclass is hosted by Buku-Larrnggay Mulka Centre at Yirrkala in the Northern Territory.
The sound of the yidaki at Gulkula is a call to the Yolngu
clans of Northeast Arnhem Land to come together. It is a
call to all peoples to come together in unity. Every August
it is also a call to men from around the world who are enthusiastic about the "didjeridu" enthusiasts to come visit the home of the instrument and learn
from traditional masters at the Garma Festival.
While the
yidaki is now known and played all over the world, this
is where the instrument originated and has been in constant
use for thousands of years. Many musicians and ethnomusicologists
have called Yolngu playing styles the most complicated and
virtuosic use of the instrument. Those outside of Arnhem
Land who have been playing the yidaki for many years without
this influence are always amazed and humbled by their inability
to imitate the sounds of local players.
The Yidaki Masterclass is open to all male applicants who wish to learn about
the instrument from its local masters.
Djalu' Gurruwiwi is
a
Galpu clan Elder who has been a central figure of the yidaki scene for many years. His instruments have been coveted
all around the world, and many have made the pilgrimage to
meet
him and learn from him in his own country.

Non-Indigenous use of yidaki
In the Northern Territory, around Australia, and even
internationally, yidakis
are being sold in their thousands by those who have no
connection to Yolngu. The Garma Festival hopes to remind
people that these instruments and their music have sacred
cultural uses associated with them that are still being
practiced.
Mandawuy Yunupingu explains:
Yolngu understand the yidaki
has become an Australian icon and accept non-Yolngu people
throughout the world now use it for informal purposes
and enjoyment. Be aware, however, that its origins are
sacred and secret to Yolngu men. Those stories can not
be told here, they can only be shared with initiated men.
The yidaki
is a male-oriented instrument. In Yolngu society women
are forbidden to play it as its origins are sacred to
men.
Healing power of the yidaki
Mandawuy Yunupingu explains:
Yolngu people have long recognised the healing powers
of the yidaki.
Through the provision of exercises for breathing, the yidaki
holds collective powers in the healing process. The sound
transfers peaceful vibrations that penetrate the mind and
create inner spiritual oneness in an individual or group.
In some cases, the yidaki
is used for physical healing with the player concentrating
his breath on an afflicted part of the patient's body.
To
attend the Garma Festival Yidaki Masterclass (registration open for men only) read our introduction to then complete the online expression of interest form.
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